This essay provides a contextualised account of social documentary photography in Taiwan during the second half of the 1980s and a critical review of Ren Jian magazine within a case study of Guan Xiao-rong’s Dignity and Humiliation. The latter emerges as an exemplary documentary work on the socio-political issues of an ethnic group of indigenous Taiwanese. The essay suggests that Guan’s mixed position of documentary photographer and campaign activist made his photographs a distinctive and rare humanistic contribution with a politicised dimension.
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